In today's world, A Woman of No Importance (1936 film) has become a topic of general interest that has captured the attention of multiple audiences. Whether due to its relevance in contemporary society or its impact on history, A Woman of No Importance (1936 film) has managed to generate a wide range of opinions and perspectives. From its influence on popular culture to its effects on the global economy, A Woman of No Importance (1936 film) has been the subject of countless debates and discussions. In this article, we will explore different aspects related to A Woman of No Importance (1936 film), analyzing its meaning, its evolution over time and its implication in various areas. Through a multidisciplinary approach, we will seek to offer a comprehensive vision that allows us to understand the importance and impact of A Woman of No Importance (1936 film) in today's world.
A Woman of No Importance | |
---|---|
![]() German film poster | |
German | Eine Frau ohne Bedeutung |
Directed by | Hans Steinhoff |
Written by | Bernd Hofmann Thea von Harbou |
Based on | A Woman of No Importance by Oscar Wilde |
Produced by | Helmut Eweler Franz Tappers |
Starring | Gustaf Gründgens Käthe Dorsch Friedrich Kayßler |
Cinematography | Ewald Daub |
Edited by | Martha Dübber |
Music by | Clemens Schmalstich |
Production company | Majestic-Film |
Distributed by | Tobis Film |
Release date |
|
Running time | 81 minutes |
Country | Germany |
Language | German |
A Woman of No Importance (German: Eine Frau ohne Bedeutung) is a 1936 German drama film directed by Hans Steinhoff and starring Gustaf Gründgens, Käthe Dorsch and Friedrich Kayßler. It is based on Oscar Wilde's play A Woman of No Importance. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle.