In this article, the topic of Basit Suzinak will be addressed from a broad and detailed perspective. The impact that Basit Suzinak has on current society will be analyzed, as well as its historical relevance and influence in various areas. Furthermore, different points of view will be discussed and arguments for and against Basit Suzinak will be presented, in order to offer a balanced and complete view on this topic. Furthermore, the future implications of Basit Suzinak and possible strategies to address it effectively will be explored. This article seeks to provide readers with a deep and rich understanding of Basit Suzinak, allowing them to form their own opinions and participate in an informed debate on this topic.
Durak | Rast |
---|---|
Güçlü | Neva |
Yeden | Irak |
Seyir | Descending |
Lower Çeşni | Rast pentachord |
Higher Çeşni | Hicaz tetrachord |
Basit Suzinak is a makam in Turkish makam music. It is in 53 Tone Equal Temperament.
Components | Note | Western Note | Steps to following note | Cents from Durak note | Function |
---|---|---|---|---|---|
Rast pentachord | Rast | G | T (9) | 0 | Durak |
Dügâh | A | K (8) | 203.77 | ||
Segâh | B | S (5) | 384.91 | ||
Çargah | C | T (9) | 498.11 | ||
Neva | D | S (5) | 701.89 | Güçlü | |
Hicaz tetrachord | Güçlü | ||||
Hüseyni/Hisar | E | A (13) | 815.09 | ||
Eviç | F# | S (5) | 1086.79 | ||
Gerdaniye | G | - | 1200.00 | Tiz Durak |
Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET model, while worse than many other models in approximation, allows for such comparisons.
The approximation of Basit Suzinak within 48-TET would be: