Caves of Gargas
In this article, we will explore in detail the concept of Caves of Gargas and its impact on different aspects of society. Throughout history, Caves of Gargas has played a fundamental role in people's lives, influencing everything from culture to the economy. Through a comprehensive analysis, we will examine how Caves of Gargas has evolved over time and what its influence has been in different areas. In addition, we will address the controversies and debates that revolve around Caves of Gargas, as well as the possible solutions or alternatives that are proposed to address its effects. From its origins to the present, Caves of Gargas has left an indelible mark on society, and in this article we will investigate its ramifications and consequences in our current world.
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (June 2013) |
| Caves of Gargas | |
|---|---|
 Interior view taken by Félix Régnault before 1910 | |
| Location | Aventignan, Hautes-Pyrénées |
| Coordinates | 43°03′19″N 00°32′10″E / 43.05528°N 0.53611°E |
The Caves of Gargas (French: Grottes de Gargas, French pronunciation: [ɡʁɔt də ɡaʁɡas]) in the Pyrenees region of France are known for their cave art from the Upper Paleolithic period - about 27,000 years old.
The caves are open to the public.
Location
The caves are located near the town of Aventignan in the Hautes-Pyrénées department in south-western France, at the edge of the Haute-Garonne close to Saint-Bertrand-de-Comminges.
History
Human occupation
The caves have yielded evidence of occupation (bones, lithics (stone tools) and portable art) from the Mousterian to the Middle Ages, but it is most famous for its paintings and engravings of the Upper Paleolithic.
The paintings have numerous negative hand stencils made by the stencil technique. The hands are red (ochre) or black (manganese oxide), using a mixture of iron oxide and manganese crushed with animal fat, and sprayed around the hand against the wall. Some have one or more fingers absent which leads to hypotheses of diseases, frostbite and ritual amputation, but most researchers prefer the symbolism of bending one or more fingers.
Many figurative engravings are also present in other parts of the caves, depicting horses, bison, aurochs, ibex and mammoth. Carbon-14 dating of a bone stuck in a crack in a wall decorated with hand stencils revealed close to 27,000 years BP, indicating that the cave was frequented in the Gravettian period. It is surmised that the Hands paintings probably date from this period.
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A digital art representation of Negative hand stencils made by the stencil technique -
Perforated bovid Incisor – Gravettian Muséum de Toulouse -
Lithic industry– Gravettian Muséum de Toulouse -
Awl made on abraded bone Gravettian Muséum de Toulouse
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Discovery
The two chambers of the caves began to be scientifically explored and documented at the end of the 19th century by Émile Cartailhac and Abbé Henri Breuil, but it was Felix Regnault who discovered the hand-print images in 1906.
Tourism
The caves have been classified since 1910 by the French Ministry of Culture as a monument historique (historic monument), Schedule 2, and are open to the public.
See also
References
- ^ Base Mérimée: Grotte de Gargas, Ministère français de la Culture. (in French)
Bibliography
- Foucher Pascal, San Juan-Foucher Cristina, Rumeau Yoan, La grotte de Gargas. Un siècle de découvertes, Édition Communautés de Communes du Canton de Saint-Laurent-de-Neste, 2007, 128 pages.
