In today's world, Portal:Television has acquired unexpected relevance. Its impact has been felt in every area of society, from politics to culture, technology and the economy. It is impossible to ignore its presence, since its effects can be seen in the daily lives of millions of people around the world. Therefore, it is imperative to delve into its implications and understand the role it plays today. This article aims to explore the different facets of Portal:Television, analyzing its influence and its repercussions in different areas, in order to shed light on a phenomenon that is constantly evolving.
Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set, rather than the medium of transmission. Television is a mass medium for advertising, entertainment, news, and sports. The medium is capable of more than "radio broadcasting", which refers to an audio signal sent to radio receivers.
Television became available in crude experimental forms in the 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion. In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries.
In 2013, 79% of the world's households owned a television set. The replacement of earlier cathode-ray tube (CRT) screen displays with compact, energy-efficient, flat-panel alternative technologies such as LCDs (both fluorescent-backlit and LED), OLED displays, and plasma displays was a hardware revolution that began with computer monitors in the late 1990s. Most television sets sold in the 2000s were flat-panel, mainly LEDs. Major manufacturers announced the discontinuation of CRT, Digital Light Processing (DLP), plasma, and even fluorescent-backlit LCDs by the mid-2010s. LEDs are being gradually replaced by OLEDs. Also, major manufacturers have started increasingly producing smart TVs in the mid-2010s. Smart TVs with integrated Internet and Web 2.0 functions became the dominant form of television by the late 2010s. (Full article...)
"Favorite Son" is an episode of the American science fiction television series Star Trek: Voyager. First broadcast on UPN on March 19, 1997, it was the 20th episode of the third season. Lisa Klink wrote and Marvin V. Rush directed the episode. Set in the 24th century, the show follows the adventures of the crew of the starship USS Voyager after they are stranded in the Delta Quadrant, far from the rest of the Federation.
In the episode, Ensign Harry Kim (Garrett Wang) experiences déjà vu and develops a rash when the Voyager enters a new sector of the Delta Quadrant. Mostly female aliens known as Taresians tell him that he is not human but is a member of their species. On discovering this is a ruse by the female aliens to attract and kill their men during reproduction, the crew rescues Kim and restores him to his original state. Deborah May and Kristanna Loken play two of the Taresians, Patrick Fabian portrays a man tricked by them and Irene Tsu appears as Kim's mother.
A newscast typically consists of the coverage of various news events and other information, either produced locally in a radio or television station newsroom, or by a broadcast network. It may also include such additional material as sports coverage, weather forecasts, traffic reports, commentary and other material that the broadcaster feels is relevant to their audience.
Sydney Cecil Newman OC (April 1, 1917 – October 30, 1997) was a Canadian film and television producer, who played a pioneering role in British television drama from the late 1950s to the late 1960s. After his return to Canada in 1970, Newman was appointed acting director of the Broadcast Programs Branch for the Canadian Radio and Television Commission (CRTC) and then head of the National Film Board of Canada (NFB). He also occupied senior positions at the Canadian Film Development Corporation and Canadian Broadcasting Corporation, and acted as an advisor to the Secretary of State.
During his time in Britain in the 1950s and 1960s, he worked first with ABC Weekend TV, before moving across to the BBC in 1962, holding the role of Head of Drama with both organisations. During this phase of his career, he created the spy-fi series The Avengers and co-created the science-fiction series Doctor Who, as well as overseeing the production of groundbreaking social realist drama series such as Armchair Theatre and The Wednesday Play. (Full article...)