In this article, we want to focus on Satta Doom, a topic that has captured the attention of many people in recent times. As the world advances, Satta Doom has become a point of interest for researchers, professionals and enthusiasts alike. Through this article, we will seek to explore various facets of Satta Doom and its impact on society, economy, culture, and more. Different perspectives and opinions will be addressed to offer a complete overview of Satta Doom and delve into its relevance today. With a critical and analytical eye, we hope to provide our readers with a more complete understanding of Satta Doom and its importance in the modern world.
Bhai Satta Doom | |
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Religion | Sikhism |
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Relatives | Balvand Rai (brother) |
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Satta Doom (fl. late 16th to early 17th century), also spelt as Satta Dum, was a drummer and author of eight verses found within the Guru Granth Sahib.
He was born a Muslim in a Doom-Mirasi family. He started playing music for the Sikhs during the guruship of Guru Angad. He was a drummer whilst his brother, Balvand Rai, was a rababi (rebec player). Some sources describe him as a rababi, like his brother, rather than a drummer. Other sources do not ascribe a brotherly blood relation between Satta Doom and Balvand Rai. They would play kirtan at the Sikh gurus' durbar (court). At some point, him and his brother abandoned the company and employment of the Guru but returned after facing hardships, where they were forgiven. They then wrote hymns for penance for their past mistakes, which would form part of the Adi Granth. The compositions he co-composed with his brother Balvand can be found on pages 966–968 of the Guru Granth Sahib under the title of Ramkali ki Vaar Rai Balwand tatta Satte doom akhi.
In his hymns, he emphasized the continuity of the guruship from Nanak to Angad, referring to the latter as having been sat on the takht (throne) of Nanak. It further praises the first five gurus of the Sikhs.
Bhai Rai Balwand was a Muslim rebab musician and Satta was a Muslim drummer during the time of Guru Angad up to the time of Guru Arjan; they both sang gurbani-kirtan and composed a Ramkali var that was included in the Guru Granth Sahib (pp. 966-8).
BALVAND AND SATTA. Rai Balvand and Satta the Dum were two rabab players who, according to tradition, sang kirtan for Guru Angad. After some years they became increasingly insubordinate and left the Guru's service. When they lost popularity, they were humbled. To signal their contrition they wrote the first five stanzas of Tikke di Var, composing the remaining three stanzas in the time of Guru Arjan.
Rai Balwand and Satta refer to Guru Angad being seated on the throne (takht) of Guru Nanak.